With millions of streams under his belt and a signature sound that fuses house, tech house, and old-school energy, Italian DJ/producer Andryx is riding high. Following his latest collaboration with Adam Griffin on ‘All I Need’ (feat. Roan Cass), we caught up with him to talk influences, his creative process, and what’s next in 2025
Artist Journey & Background
You’ve performed in some of Milan’s most iconic venues—what was your breakthrough moment in the city’s nightlife scene?
When you move to a big city like Milan and you’re not originally from there, it’s not easy to leave your mark and break into the music scene. Milan is super competitive, and there are tons of talented DJs all chasing the same dream.
Even before moving there, I started introducing myself around. In the beginning, just to get my name out, I accepted gigs where I had to play music genres I wasn’t very familiar with. I really stepped out of my comfort zone, but over time, I got pretty good at those too! That helped me gain a lot more confidence, both in my sets and with the crowd.
Once I got the chance to play at great venues like Old Fashion and Toqueville, I knew it was time to finally move to Milan. I already had some recognition, but the real breakthrough came when I got selected as one of the DJs for Terrazza Duomo 21, one of the top terraces in Milan. That changed everything.
From there, I started getting booked for the best events in the city and even abroad. I was the DJ for the opening of the prestigious Plein Hotel and had the honor of opening for Marco Carola.
Now, my dream is to take my DJ sets international!
How did your international gigs, especially in New York at La Victoria and near the Empire State Building, shape your approach as a DJ and producer?
I already had some experience DJing abroad, even before playing around Italy, but doing it on the other side of the ocean is a whole different story. I still remember the joy I felt the first time I saw Times Square and thought, “Wow, I made it here with my music!” It still gives me chills.
Playing in different countries really pushes you out of your comfort zone. Some tracks that people love in Italy might not work at all in the US, and vice versa. Luckily, I was kind of prepared for that. At Terrazza Duomo 21, I played for an international crowd every night, so I got used to connecting with people from all over the world and learning what makes each audience move.
Musical Style & Influences
You’re known for blending house and tech house—what drew you to these genres in the first place?
At the beginning, I was all about tech house, I loved the vibe, the energy, that clubby mood that gets everyone moving. But at some point, I felt like something was missing: the soul.
Tech house is amazing, but sometimes it can feel a bit dry, like it’s missing that emotional depth and harmony. That’s why I decided to blend it with classic house, bringing in its funky, soulful, and even gospel roots, and mixing that with the powerful drums and basslines of tech house.
The result? A sound that keeps the energy high, but also speaks to the heart.
Your 2024 release “The Way” leans more toward disco-house. What inspired that shift in sound, and can we expect more of that in your upcoming work?
I think the shift in my music that I mentioned earlier really started when I began working on The Way. That’s probably why it sounds a bit different from my earlier tracks, it marks the beginning of a new direction for me.
How do you balance staying true to your style while experimenting with new sounds and trends?
It’s not always easy to stay consistent with one style. I love experimenting with new sounds, but sometimes I feel like they’re a bit too far from the “Andryx” vibe. That’s why I try to blend different genres together, to keep things fresh while still staying true to my identity.
And for the tracks that are really out of the box, I’m planning to launch a side project, so I can explore those ideas without straying too much from my main sound.
All my upcoming releases will follow the direction of my last two tracks, I’ll keep mixing house and tech house, because that fusion is really where I feel most at home right now.
Your latest single, “All I Need”, marks your debut on the renowned label Perfect Havoc, in collaboration with co-founder Adam Griffin. How did this partnership come about, and what was the creative process like working with Adam on this track?
When I first sent All I Need, it was just a collaboration between me and Roan Cass. But when I shared it with Adam, he absolutely LOVED it so much that he wanted to make it his own.
He brought a whole new energy to the track, something we hadn’t reached before. His UK touch really took it to the next level, giving it that extra drive that makes it perfect for clubs all over the world.
Career Highlights & Collaborations
Supporting legends like Marco Carola is no small feat. What was that experience like, and what did you learn from sharing a stage with such an icon?
When I found out I was going to play before Marco Carola, I was literally shaking. I couldn’t believe I’d have the honor of being part of a night with him.
Before going on stage, I was pretty tense, but as soon as I started playing, all the nerves disappeared. It was just me and my music.
Talking to him after his set was incredibly inspiring. He gave me that extra push to keep going and to believe even more in this path I’ve chosen.
Crystal Waters and Steve Angello showed support for “The Way”—how did it feel to get recognition from such established names in the industry?
You know, unlike many other genres, house music is truly timeless. It has legends that don’t fade, even after 30 years. Crystal Waters is definitely one of them. When I saw the video of her supporting my track, I couldn’t believe it. She even mentioned my name, that moment was surreal. Her music, her voice… they’ve always been a huge source of inspiration for me.
I started DJing when I was 13. Back then, you had to play at least three Swedish House Mafia tracks in every set, it was almost a rule. And now, years later, one of them, Steve Angello, played my track.
Sometimes I think about that 13-year-old kid who started DJing just for fun, in his bedroom, dreaming with headphones on. I wonder what he would say if he knew where this journey would take him. Honestly? He probably wouldn’t believe it. And, to be honest… I still don’t either.
Streaming & Label Success
With millions of streams under your belt, how do you view the role of platforms like Spotify in shaping a DJ’s career today?
Nowadays, if you want to play in amazing venues and travel abroad, being a producer isn’t just a nice bonus, it’s a must. If you really want to stand out in the music scene, being “just” a DJ isn’t enough anymore. You need to create your own tracks, your own sound, your own identity.
Playing your own music during a set isn’t easy at first, it feels like you’re putting a piece of yourself out there. But when you see people actually dancing to something you created… that’s one of the best feelings you can ever experience.
You’ve released music on labels like Loudkult and Groove Bassment—what do you look for in a label partnership?
A label shouldn’t just be a place to upload your track on Spotify and hope it takes off. A good label helps shape its artists and supports their growth.
What I’m really looking for in a label is something that doesn’t just boost streams, but also helps you become a better producer and DJ.
Looking Ahead
What can fans expect from you in 2025—are there any exciting collaborations, remixes, or live events coming up?
I have some amazing collaborations coming up, mostly with incredibly talented singers. I can’t wait to share new music with you all and to play for new crowds and different cultures.
If you could perform at any festival or venue in the world next, where would it be and why?
Since I was young, my biggest dream has been to perform at Ultra Music Festival in Miami. A few years ago, I went there almost like on a pilgrimage, just to see what it was like in real life, and honestly, it was even more amazing than I ever imagined.
That festival is still my ultimate goal, and I’ll do whatever it takes to get there. I hope that one day, I’ll be standing behind the console, looking out at those skyscrapers and feeling that incredible energy all around me.
